Achieve Refined & Stylised Colour Grades in DaVinci Resolve | PixelTools Prime/Grade & Split/Tone
Colour Grading is not easy. Especially when you’re aiming for a refined, stylised look but with good colour separation and true-to life skin tones.
And not being able to achieve this balance can be really frustrating, because we treasure and pour so much effort into filming our footage, that we want the absolute best for it. And believe me, having gone through many periods over the years of trying to improve my color grading and continue trying to do so, I know exactly what it’s like to chase this and also how your vision & judgment of what makes a good colour grade changes over time.
Recently, I had the opportunity to partner up with PixelTools and try out their new set of DaVinci Resolve colour grading tools which once again, made me re-evaluate my colour grading and see it in a whole new perspective.
In this video, I break down what sets these tools apart and show exactly how I’ve been using them (alongside other free DCTLs I’ve discovered), to create colour grades that align with my goal of achieving a stylised yet intentional look with good colour separation and true-to-life skin tones without feeling overdone.
PixelTools Social Media
PixelTools shared the video across social media, accompanied by positive feedback.
Video edited & graded in DaVinci Resolve
Dehancer Plugin vs Node-based (FilmUnlimited & CinePrint)
Colour Grading Workflows in DaVinci Resolve
The team at Dehancer reached out to me, to review their plugin, and I wanted to approach this in a way that would be genuinely helpful and offer a fresh perspective for viewers.
This video dives into the workflow itself. How you actually interact with these different color grading systems in a real-world process within DaVinci Resolve. I break down the benefits, limitations, and my personal suggestions on Dehancer’s plugin-based workflow compared to node-based systems like FilmUnlimited and CinePrint.
I focus on how these tools influence your creative process, their ease of use, flexibility, and efficiency in a professional workflow.
My goal is to give viewers a clearer understanding of what it’s like to work with these different color grading systems and ultimately, help them to determine which workflow best suits their projects.
Testimonial from Dehancer
Dehancer shared this thoughtful testimonial with me after the project’s completion.
Video edited & graded in DaVinci Resolve
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Can you edit faster than the B-Roll Fade & Finish PRO System?
First, Download the Challenge DaVinci Resolve Project Archive:
Then, follow these simple steps to Import the Project Archive into DaVinci Resolve:
Download & Unzip: Click the download button above and extract the .zip file to your computer. You will see a folder ending in .dra (DaVinci Resolve Archive).
Open the Project Manager: Launch DaVinci Resolve. If you are already in a project, click the Home icon in the bottom right corner to open the Project Manager.
Restore the Archive: Right-click in any empty gray space within the Project Manager window and select “Restore Project Archive…”
Select the Folder: Select the “Take The Challenge.dra” folder and click Open.
Ready to Edit: The project will appear with all the necessary image assets loaded and ready for you to take the challenge.
Then, Choose Your Method below and Start the Stopwatch when you’re ready –
Your final edit time is:
It’s not easy to change how you work, but seeing the results is the first step.
Here is $10 off to help you take the next one.
CHALLENGE10
Use Code at Checkout
Time to Beat
Using the PRO Method: 02:14
Using the FREE Method: 03:18
Using the Native Method: 05:21
For users using only native DaVinci Resolve tools.
Setting up base footage and initial blur transition.
Creating dim transition and preparing first B-Roll.
Adding styling and entrance fade animation.
Final framing and batch applying effects.
For users utilising the free version of the B-Roll Fade & Finish tool.
Setting up base footage and A-Roll tool.
Applying B-Roll tool and framing.
Setting keyframes and extending timeline.
Batch applying effects and final framing.
For users utilising the B-Roll Fade & Finish PRO System.
Setting up base footage and PRO A-Roll tool.
Applying PRO B-Roll tool and framing.
Setting movement and extending timeline.
Batch applying effects and final framing.